Live Sessions


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Upcoming on Icarus Records/Vynilla Vinyl in 2020
i008 Mirek Coutigny


Icarus Nights

Icarus Night: Yves De Mey
Bar Mirwaar


Yves De Mey, formerly known as Eavesdropper, has been releasing music since the mid-90s. Initially his work was clearly inspired by breakbeats and UK Drum`n’bass, but later, by being active in theater and dance, more and more experimentation was allowed.

In addition to music, he has been working as a sound designer for film and television for almost 20 years, with the necessary excursions to the performing arts.

Since 2009 he has mainly been releasing music under his own name. At the same time, he has since started to focus on modular synthesis, mainly to get a grip on the pure basis of sound.

His work came and comes out on internationally renowned labels such as Line, Sandwell District, Entr’acte, Spectrum Spools / editions Mego, Opal Tapes,… which often takes him abroad for live concerts and DJ sets.

Together with Peter Van Hoesen, he also has the Sendai duo, and runs the Archives Intérieures label.

In 2017, a full LP was released under the pseudonym "Gray Branches" (Neuroclaps), an album that can be regarded as dysfunctional club music.

At the beginning of 2018, the French electronic label Latency released "Bleak Comfort". This release was described by Boomkat, the largest electronic music specialist in the UK, as: “highly impressive electronic music that leaves the listener heavily disoriented and quite possibly motion-sick”.

In 2019, the American Line "Sueda" and the British-Belgian Entr'acte "Exit Strategies part I" came out, 2 releases with the focus on reduction and creating melody using synthesis parameters.
Yves will play work from Exit Strategies and some new work on our Icarus Night.

Pic by Wanda Detemmerman


RIP Dominique Lawalrée (1954-2019)

It is with great sadness that we heard about the sudden death of Dominique Lawalrée on May 8 2019. He played a great show at our Icarus Night, 29/03/19. We will remember Dominique as a great composer and piano player and above all, a wonderful man. We wish his family all the strength they need.

Dominique Lawalrée (b. 1954) was a Belgian composer and keyboard player, often associated with the New Simplicity movement, with over 500 compositions and 29 albums of hermetic, euphonic minimalism to his name. While pursuing a career as a music educator in his native Brussels, Lawalrée founded the Editions Walrus imprint in 1976 as a vehicle for non-commercial music, privately releasing a string of intimate solo records throughout the ‘80s featuring his own multi-tracked piano, synthesizers, tape, percussion, Wurlitzer, organ, and voice. Littered with references to forebears like Erik Satie (“Musique Satieerique”), Brian Eno (“Listen To The Quiet Voice”), Morton Feldman (“Morton A Fait Peur À Karlheinz”), and The Beatles (“Now Peace For Beatle John”), Lawalrée’s whimsical music of this period makes no secret of its influences. Yet while the elegant consonance of his recordings owes much to ambient or furniture music, a more apt metaphor would be that of wallpaper. Ornate and repetitive, its casual patterns can invite careful admiration from the willful listener or provide a subtle, comforting framework for domestic life.

Following a mystical experience in 1994, Lawalrée’s work took a turn for the liturgical, embracing a formerly latent spirituality in the form of religious concert music written until 2016. Although Eno once expressed interest in publishing Lawalrée’s recordings on his legendary Obscure Records, dissemination of Lawalrée’s output has until recently remained limited, its reception as personal as the work itself.
In 2017, a selection of his music was compiled on 'First Meeting', Lawalrée’s first stateside release compiling recordings from the Editions Walrus years.
Last year, Dominique played a Icarus Session in cooperation with IPEM, you can listen to it here.

There’s a beautiful nuance of consonance to his music that tantalises the ear with its warbling harmonic complexity and elegant pacing, yet it’s never challenging; always with a careful pop-ness that points to his equal appreciation of Satie, Feldman and Stockhausen as much as The Beatles or Led Zeppelin, the latter of whom he’s currently working on a series of books analysing their music second-by-second, and has led him to meetings with The Beatles’ engineer, Geoff Emerick, where he pointed out mistakes in the classic recordings which nobody else has ever noticed.
Read more.


Our Live Sessions

Upcoming sessions in our new radioseason 2019-2020: Karibu Orchestra, Piloot, Nagloed

Icarus Live Session #61: Karibu Orchestra: 20-10-2019, 21-22h, Urgent.fm

Belgian fusion jazz quintet, blended with ambient, funk, avant-garde and metal!

Check their album here.




Icarus Live Session #60: Bruno C

Bruno Coussée (BE) is a bass player, know from bands like Rheinzand, Manngold and Eiland.

In this session, Bruno explores new cosmic grounds by experimenting and improvising with his bass guitar and a bunch of effects.

Expect ECM, acid, kraut-noise and electronica.







Icarus Radio

Our new season, season 12, starts the first weekend of October!
Tune in every Sunday, Urgent.fm 105.3FM, 21h-23h! Or every Tuesday Night, 00h at Youfm, Mons.


Looking Back: 10 Years Icarus Radio

Interview with Enola Magazine: Read
Interview with Tumult: Listen

Icarus Night NTG, Gent, 2018




















Our radioshow celebrated its 10th birthday and we celebrated this 08/03/18 at NTGent in coop. with Democrazy!
We were so happy with our line-up: Andrea Belfi, Greg Fox and Dictaphone!

Review by ENOLA

Call for demos

We are looking for experimental/electronica artists who want to release their album on vinyl. Do you think your music would be suitable for our label? Please send us a copy to Bromeliastraat 13, 9040 Gent, Belgium or send it digitally to jeroen(at)icarus(dot)fm.

Release i008: Mirek Coutigny (BE)
: Early 2020

Release i007: Otto Lindholm (BE)

Official release date: 27/05/16.
Limited release, edition of 220-black vinyl only.

Mastered by Fred Alstadt
Artwork by Jeroen De Wandel for Bless You
Screen Print by Marijke Loozen

Double bass player and electronic producer Otto Lindholm comes to light with his project and debut LP simply called ‘Otto Lindholm’, set for release on Icarus Records | Vynilla Vinyl in May 2016.
In the mood of bands and projects as Mohammad (PAN) or James Ginzburg & Yair Elazar Glotman’ Nimbes for Subtext, Otto Lindholm debut LP proposes an intense and noir three track LP, comprised by stand-alone experiments coming from a unique producing process elaborated by the artist where each track was played and recorded in one shot. The double bass dialogues in the dark with blinking analogue machines creating beatless but dynamic music, fully habited by plate-shifting bass drones.
The debut-album by Otto Lindholm is released on a limited vinyl edition by Vynilla Vinyl/Icarus Records, mastered by Frederic Alstadt. Photographer Jeroen De Wandel designed the record sleeve, resulting in a beautiful silkscreen by Marijke Loozen.

« At once dangerous and stunningly beautiful » (FACT magazine)
« An absolutly incredible piece of music » (Mary Anne Hobbs / BBC)
« An incredible odyssey. A great year for classical deconstruction/detonation/disintegration with records by Roly Porter, Paul Jebanasam and Otto Lindholm » (The Bug)
« Stunning » (Rob Booth / Electronic Explorations)
« WOW » (Throwing Snow)








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Boiler room with Yves De Mey



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